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・ The Crimson Circle
・ The Crimson Circle (1922 film)
・ The Crimson Circle (1936 film)
・ The Crimson Circle (novel)
・ The Crimson City
・ The Crimson Code
・ The Crimson Curtain
・ The Crimson Field
・ The Crimson Flame
・ The Crimson Flash
・ The Crimson Ghost
・ The Crimson Gold
・ The Crimson Horror
・ The Crimson Idol
・ The Crimson Key
The Crimson Kimono
・ The Crimson Labyrinth
・ The Crimson Palm
・ The Crimson Patch
・ The Crimson Permanent Assurance
・ The Crimson Petal and the White
・ The Crimson Petal and the White (miniseries)
・ The Crimson Pirate
・ The Crimson Rivers
・ The Crimson Shadow series
・ The Crimson Stain Mystery
・ The Crimson Thread of Abandon
・ The Crimson White
・ The Cringe
・ The Crinn


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The Crimson Kimono : ウィキペディア英語版
The Crimson Kimono

''The Crimson Kimono'' is a 1959 film noir directed by Samuel Fuller. The film stars James Shigeta, Glenn Corbett and Victoria Shaw.〔.〕
It featured several ahead-of-its-time ideas about race and society's perception of race, a thematic and stylistic trademark of Fuller.
The film is essentially about two cops, friends and Korean War veterans, Detective Joe Kojaku (James Shigeta) and Detective Sgt. Charlie Bancroft (Glenn Corbett), who attempt to solve the murder of a local entertainer. A love triangle soon develops between a key witness, Christine Downes (Victoria Shaw), and the two principal leads.
==Plot==
A stripper runs out onto a Los Angeles street in the Little Tokyo district, in a state of undress, mortally wounded by a gunshot. Police detectives Joe Kojaku and Charlie Bancroft, partners and bachelors who share an apartment, are assigned to the case. They find portraits of the stripper, known as Sugar Torch, dressed in a kimono as a geisha, apparently preparing a Japanese-themed act.
The cops search for a man who had been helping the stripper with her act. They interview a student artist, Christine Downes, who draws a sketch of the man for them, and Steve develops a romantic attraction to her. They meet a man named Hansel who did the portrait of the dead woman and a wigmaker, Roma, who provided the wig for the stage act.
Joe worries for Christine's safety, that her sketch could result in the killer coming after her. He, too, begins to fall for Chris, and the interest is mutual. Steve's reaction makes Joe believe that he resents the multi-racial nature of the relationship. He aggressively attacks Steve during a martial-arts competition, then quits the force, disillusioned after having felt for so long that his partner was free of this kind of racial bias.
A shot is taken at Christine, and it is assumed Hansel is the man behind the killings. It instead turns out to be Roma, who considered the stripper a threat to her relationship with Hansel. The case solved, Steve goes to Joe to convince him that he was simply jealous of the romance between Joe and Chris, not prejudiced in any way against it.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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